This is Monica Poole's 'Piddock Architecture' wood engraving from 1975, one of the prints that feature in A Printmaker's Journey, the exhibition I've curated for Hampshire Cultural Trust which reopened at its final venue in Lymington last week.
Later this year I'll be exhibiting at the City Art Centre in Edinburgh as part of A Fine Line, alongside Lizzie Farey (who I have co-curated the exhibition with), France Priest and Bronwen Sleigh. I'll be sharing further information about the event over the coming weeks. As part of the exhibition, there will be two work related workshops.
As part of the new work presented at this year's York Open Studios event, Mark Hearld has created a series of hand-decorated platters, a few of which are pictured here.
Artists Emily Sutton and Mark Hearld will soon open their doors again as part of the York Open Studios event.
Running over the last two weekends of April, Emily will exhibit a selection of new paintings, drawings and print. Mark has created a series of new mixed-media collages, limited edition prints and hand-decorated slipcast cockerels and painted platters.
I'm delighted to share news of a forthcoming exhibition that I have curated for Hampshire Cultural Trust, A Printmaker's Journey, which opens in Winchester on Saturday 11th March and then tours Hampshire until early November 2017. A Printmaker's Journey includes work selected from a wide range of disciplines and periods which will lead the visitor through the… Read More
Created by the Bulldog Trust in partnership with nine museums and galleries based in Sussex (including Ditchling Museum of Art + Craft, Charleston, De La Warr Pavillion, Towner Art Gallery and Pallant House Gallery) the exhibition examines why artists and writers were drawn to the rolling hill, seaside resorts and villages of Sussex in the first half of the 20th century, creating artistic communities who innovations developed alongside political, sexual and domestic experimentation.