I've recently been looking through past work in plan chests and folders and came across a number of prints that I produced when I started printmaking again in earnest in the 1990s.

'Beachcomber' is a very early wood engraving and really shows the influence of Monica Poole's work. I've suspected that the subject matter in my prints has always been slow to evolve as I draw and redraw objects, trying to capture variations in the insignificant. And what might help explain the 'clutter' in my studio is that I still have the same stones, driftwood and rope that feature in this print - all collected in the Orkneys in the early 1990s.