Yesterday we visited the Open Eye Gallery in Edinburgh to see Paul Furneaux's exhibition Inside:Out.
The show illustrates Furneaux’s developments from 2D print works to 3D wall mounted sculptural objects incorporating print. He uses traditional Japanese woodcut techniques to explore landscape and interior space using a simplified language of abstraction, distillation and contemplation.
Furneaux received a Masters in Japanese woodblock printing and was recently invited to the Mokuhanga Innovative Laboratory at the foot of Mount Fuji with five International artists to deepen his knowledge of this medium. He also explores combining the mokuhanga technique with etching.
In addition to creating and exhibiting his work, Paul also runs occasional courses in the Japanese water-based woodblock printing technique at Edinburgh Printmakers.
Inside:Out runs at Open Eye Gallery until 2nd April 2014. Find out more
Posted by Simon Lewin on March 16th, 2014
Here's some news from our friends at Caught By The River about their forthcoming book by Neil Sentance, illustrated by printmaker Jonathan Gibbs...
"We’re pretty bloody delighted to be able to announce that we’re publishing Neil Sentance’s Water and Sky: Voices from the Riverside, our first original title in May. After a couple of fantastic compendiums (Words on Water and On Nature), this book is an original by a longtime Caught by the River contributor; and that’s being published in association with the ever-brilliant Little Toller. Lauded by Robert Macfarlane as ‘a marvellous and haunting sequence’, the book revisits Neil’s native Lincolnshire riverlands and fields, farms and market towns, to explore the history of his family and the landscape which shaped them. It’s not a lament for a lost world. It’s a story peopled by characters forgotten by history, celebrating the countryside with a rare combination of lyricism and muddy realism."
You can see Jonathan Gibbs' wood engravings over at our online gallery. And here's his screen printed fabric for St Jude's, Herring Moon.
Posted by Simon Lewin on March 3rd, 2014
December 10th 2013 sees the opening of Clare Leighton: Working Life at The Pallant House Gallery, Chichester.
The artist Clare Leighton (1898-1989) was best known for her wood-engravings illustrating rural life in England, Europe and the USA. She illustrated over 65 books, as well as writing and illustrating her own books such as ‘The Farmer’s Year: A Calendar of English Husbandry’ (1933) and ‘Four Hedges: A Gardener’s Chronicle' (1935).
In 1952 Leighton was commissioned by Wedgwood to create a series of 12 wood engravings to be transfer-printed onto dinner plates. These were on the theme of traditional industries in New England.
Several of the original wood blocks and plates will form part of the exhibition.
View more images of these plates over at Flotsam & Jetsam, a blog by Simon Martin, artistic director of the Pallant House Gallery.
Clare Leighton: Working Life is in the De’Longhi Print Room at Pallant House Gallery in Chichester UK from 10th December 2013 - 24th February 2014 Find out more
Posted by Angie Lewin on December 2nd, 2013
Many thanks to everyone who came along to the recent opening event for my Yorkshire Sculpture Park exhibition, A Natural Line.
And special thanks to Simon Martin, Artistic Director at Pallant House Gallery, Chichester for his opening speech.
The exhibition runs until 23rd February 2014 at Yorkshire Sculpture Park near Wakefield. For opening times and directions, visit the Yorkshire Sculpture Park website.
Posted by Angie Lewin on November 27th, 2013
Another treat for fans of the work of Eric Ravilious is this exhibition of prints by the celebrated artist and designer which runs until 8th December 2013.
Ravilious' career was cut short by his untimely death in 1942 whilst on an Air Sea Rescue mission off the coast of Iceland in the course of his duties as an official War Artist.
Acknowledged in his lifetime as a master wood-engraver and exceptional artist/lithographer, the exhibition explores Ravilious' development as a printmaker, offering insights into his methods and placing his work in the context of British art, design and industry between the wars.
Simon Martin, Curator, says: "Together with Edward Bawden and Paul Nash, Eric Ravilious was one of the most important printmakers working in Britain in the 1920s and 1930s. His animated sense of rhythm, line and visual decoration give his prints a playful sense of design, whether as black and white wood engravings, colour lithographs, or as transfers on the ceramics that he designed for Wedgwood."
Posted by Simon Lewin on November 2nd, 2013
We're looking forward to getting our hands on a copy of James Russell's latest book for Mainstone Press.
Ravilious Wood Engravings features a selection of Ravilious wood engravings over its 80 pages, including at least one that's never been published before.
From the press release...
"Although a brilliant watercolourist, inventive lithographer and talented designer, Eric Ravilious (1903-42) was above all a wood engraver. It was in this demanding medium that he first found artistic expression in the early 1920s, and over the next two decades produced some of the finest engravings of the age. And what an age it was! Starting shortly before World War One, a succession of talented artists and designers explored a medium whose most famous British proponent, Thomas Bewick, had died almost a century earlier.
In his lifetime Ravilious was acknowledged as a modern master of wood engraving, and for Ravilious: Wood Engravings we have selected illustrations that show the evolution of a remarkable talent. Ravilious thrived on the limitations imposed by the medium, squeezing entire scenes into the tiniest vignette. Some of the engravings have the mysterious quality of his watercolours, while a wry humour animates others, such as his portrait of publisher Robert Gibbings being carried off by a giant cockerel. Running through the book is a sense of the pleasure Ravilious took in his work, which he approached with great skill and a light heart. While staying with his parents in Eastbourne he would cut his blocks with their canary fluttering around his fingers, and subsequently he always whistled when he worked.
When Ravilious died on active service as a war artist in 1942, at the age of 39, he had already achieved remarkable success. His short but spectacular career is described in a full-length introduction, which also sets his achievements in the context of the interwar years. Accompanying each illustration, meanwhile, is an extended caption designed to illuminate the engraving in an informative and entertaining way. In a manner familiar to readers of Ravilious in Pictures, author James Russell sets out to discover the places that inspired Ravilious, explore the remarkable books he illustrated and meet the people he portrayed. Ravilious: Wood Engravings is both a collection of beautiful, surprising pictures and an entertaining portrait of a wonderful artist and his world."
We'd recommend you visit James Russell's excellent blog for lots of related writings.
If you'd like to see more of Ravilious' work, we'd recommend a trip to the Pallant House Gallery in Chichester where their Eric Ravilious Prints exhibition runs until 8th December 2013. More on that soon.
Posted by Simon Lewin on October 20th, 2013
Currently showing at the Open Eye Gallery in Edinburgh is Shelter, an exhibition of recent lithographs and screenprints by Edinburgh based printmaker Gill Tyson depicting buildings or forms of ‘shelter’ in the remote and rural landscapes where she encountered them. A castle, a farmstead, a telephone box or tower can be glimpsed in the distance or through trees, inviting the viewer to venture in.
Gill Tyson was born in Heysham, Lancashire and studied at Edinburgh College of Art and Edinburgh University, receiving an MA (Hons) in Fine Art in 1979. She is a former Chairman of Edinburgh Printmakers and has served on the City of Edinburgh Visual Arts Awards Panel.
She recently completed printmaking residencies in Ireland and Wales and received awards from the Hope Scott Trust, The City of Edinburgh and Scottish Arts Council. She has work in many public collections including Aberdeen Art Gallery, Smithsonian Collection and the Parliamentary Art Collection-House of Lords. Tyson has exhibited in the UK, Europe, the USA and Canada and in 2012 she was one of the artists representing Britain at the 6th International Kyoto Hanga, International Printmaking Exhibition in Japan.
Posted by Simon Lewin on October 4th, 2013
I realise this is akin to copying someone's homework but I'd been trying to put a few words down about Ultramarine's latest album - the first in fifteen years - when I came across this review by Kevin Pearce over at Caught By The River...
"Elements of This Time Last Year will seem familiar, but they are stripped down, taken apart, manipulated and put back together in pleasantly surprising ways. Fans of Ultramarine will welcome the presence of skittering jazzy beats, the itchy funk, the dub daze, the Brazilian traits, the fusion flourishes, burbling and percolating electronics, and so on. But what is very apparent with this record is the underlying acoustic warmth, like the gentle guitar motifs chopped up and treated and stirred back into the mix in such a seductive way. The LP as a whole is such a curiously attractive blend of the ancient and modern, in sound and technique, it is almost impossible to really pin down."
Couldn't have put it better. Read Kevin's review in full.
The album's artwork has been designed by illustration/print studio Heretic who have recently worked with the Sonic Cathedral label, Tim Burgess, Andrew Weatherall’s Asphodells project and The Quietus. We're delighted Heretic and Ultramarine will be contributing to the next issue of journal Random Spectacular - sign up to our newsletter for details.
You can also purchase a copy of Heretic's limited edition poster marking the release of the album.
Posted by Simon Lewin on October 2nd, 2013
We went along to the opening of Jonathan Gibbs' latest exhibition in Edinburgh earlier today.
Fish Bone features a number of new wood engravings, paintings and drawings.
Jonathan has lived and worked in Scotland for many years but acknowledges the importance of the “churches, fields, shorelines and elements of landscape from East Norfolk, where my family comes from”.
Having trained at Central School of Art and Design and the Slade School of Fine Art, in addition to the creation of new work for regular exhibitions Jonathan is a Head of Illustration at the Edinburgh College of Art.
Writing about Jonathan’s 2006 ‘Flint & Straw’ exhibition at the Open Eye Gallery, Alan Powers suggests that “at first sight, his paintings and engravings evoke a mid-twentieth-century mood, suggestive of territory between Ben Nicholson and Eric Ravilious – fastidious, linear and deeply sensitive to place”.
The exhibition runs until 25th September 2013 at Open Eye Gallery, 34 Abercromby Place, Edinburgh EH3 6QE.
We're also very pleased to feature Jonathan's limited edition wood engravings at our online gallery specialising in British printmaking.
Posted by Simon Lewin on September 7th, 2013
I'll be heading over to the Kingdom of Fife soon to visit Jonny Hannah's contribution to this year's Pittenweem Arts Festival where Jonny is an invited artist.
He'll be exhibiting at Lesser Church Hall, James Street, Pittenweem from 3rd to 11th August 2013, 10am until 5pm. Find out more.
On Tuesday 6th August, at 5.30pm, Jonny will launch a new box set of prints, 'Might Just Get By', inspired by the songs of Fife's own King Creosote who will perform a few songs at 6.00pm.
Posted by Simon Lewin on August 1st, 2013