We're pleased to announce our next St Jude's exhibition in Edinburgh.
The Darktown Billets-Doux will see Jonny Hannah bring a selection of paintings, prints and other flotsam and jetsam to the city.
We'll also be launching Jonny's new wallpaper for St Jude's.
The exhibition will run from 10th-14th April 2015 in the heart of Edinburgh. For an invitation to the opening event, please sign up to our e-mail newsletter.
Posted by Simon Lewin on February 1st, 2015
We were delighted to receive a set of chapbooks from Desdemona McCannon, produced as part of her 'Women In Print' project.
Each celebrates the work of a woman who has inspired the designer of these risograph printed publications.
The set we have features Enid Mark (by Desdemona McCannon), Sheila Robinson (by Chloe Cheese), Pearl Binder (by Alice Pattullo), Barbara Jones (by Rosemary Shirley), Peggy Angus (Carolyn Trant) and Olive Cook (by Lotte Beatrix).
We asked Desdemona to tell us more about the project...
"Over the last few years I have started a collection of books by 20thc women designers I admire - people like Barbara Jones, Enid Marx, Pearl Binder, Peggy Angus, Lettice Sandford, Dorothy Hartley - who alongside being 'jobbing artists' also wrote (and illustrated) books about folk culture, craft skills and 'popular' art'. Initially I was interested in the ways their research and writing was folded back into their creative practice, but as the collection grew, I became more and more fascinated by the idea of 'print culture'- the ways that publishers and art directors, printers and booksellers as well as authors and artists are entangled in a huge web of connections. I became hooked on the idea that, as Elisabeth Eisenstein says, print itself can be 'an agent of change'.
The main catalyst for setting up Women in Print was seeing a photo in a book, I forget which one, of Tirzah Ravilious on a step ladder with a paintbrush in her hand, in the process of putting paint on a wall, with Eric Ravilious standing by looking down, and the caption underneath saying 'Eric Ravilious painting a mural'. I realised that there was a silence around these women in the way histories were being told, a huge blind spot when it came to celebrating their achievements.
So the point of the Women in Print network is to focus attention on women who deserve to be better known, and their contribution to 'print culture'- as writers, academics, artists, art directors, publishers, journalists, printmakers and illustrators. This happens through an ad hoc series of events, enjoyable study days with speakers and discussions. Alongside this there is a growing set of tribute chapbooks. Anyone can contribute to the series. If they know of a woman they would like to celebrate, I send them the template and they send the (two colour) artwork and text back. I print them up on the risograph machine at Manchester School of Art with the help of students at the college, and we sell them and give them out at the Women in Print events, in the spirit of radical pamphleteers! Lots of really interesting artists, writers and academics have contributed to the series already... Alice Patullo did a beautiful one for Pearl Binder, and Carolyn Trant made one about Peggy Angus who she knew well. Chloe Cheese made one about her mother Sheila Robinson too. I would love for there to be a whole shelf of them one day.
Over the last 18 months there have been three fascinating days of talks about the different ways that women contributed to print culture in the 20thc, the first at Compton Verney in Warwickshire, the second at MMU Special Collections in Manchester, and the third at the Towner Gallery in Eastbourne to accompany the Peggy Angus exhibition there. Speakers have ranged from Professors to recent graduates, researchers into design history and daughters of the designers themselves. The days attract a mixed audience too, which has been wonderful. Artists, academics, people interested in craft, ex librarians, collectors, and the odd husband quietly trying to sleep in the corner. There have been biographical talks about individual women- people like Peggy Angus and Pearl Binder, Susan Clough Ellis and Sheila Robinson, but also fascinating insights into publishing and visual culture of the period, for example Natalie Kay Thatcher recently gave a blinding talk about the Perry Colour Books at the Towner event.
There are more Women in Print days coming up- one in Boscastle next April looking at 'witchcraft in the popular press 1920- 1990' - inspired by a visit to the wonderful library at the museum of witchcraft there. Several people have already offered to give talks about Doreen Valiente, Ruth Manning Sanders, Margaret Murray and Ithell Colqhoun. The call for papers is still open, with further information available online, and so I'm looking forward to seeing what comes in.
It's really heartening that Chloe Cheese has recently written a book about her mother's work, and that Ann Ullman is writing about her mother Tirzah Ravilous too... there are some other projects in a similar vein in the pipeline too. It feels like an exciting time, a chance to have another go at writing the history of the period, and points to the continued potency of print in shaping the cultural landscape. What I find most most enjoyable is the enthusiasm and generosity of all the people involved- that a shared love of print has enabled these connections too."
Desdemona McCannon was born in Liverpool and studied English Literature at Bristol University before going on to train as an illustrator in Liverpool and Brighton. She is interested in investigating popular and vernacular art forms through organising events, curating exhibitions, writing articles, editing the Journal of Illustration and making work. She is currently a senior lecturer at Manchester School of Art. Find out more
Posted by Angie Lewin on December 9th, 2014
Saturday 15th November 2014 sees the opening of 'Town and Country', Emily Sutton's major solo exhibition at Yorkshire Sculpture Park.
The exhibition will feature a wide range of one-off watercolours, limited edition prints and a flock of hand painted and embroidered birds.
Based in York, Emily has worked with many distinguished clients around the world, illustrating books for the Victoria & Albert Museum, Faber and Faber, Random House, Penguin and Walker Books and undertaking commissions for brands such as Hermes, Fortnum & Mason and Betty’s of Harrogate.
We're delighted to include Emily's designs within the St Jude's range of fabrics - her Curiosity Shop fabric won the 'Best British Pattern' category in the Elle Decoration British Design Awards in 2011.
'Town and Country' coincides with the publication of Transferware Treasures, a limited edition hand-bound foldout book of the artist’s watercolours of Victorian transferware, published by Fleece Press.
Find out more about the exhibition in the short film below and via the Yorkshire Sculpture Park website. The exhibition runs until 22nd February 2015.
Posted by Simon Lewin on November 5th, 2014
Just published by Merrell is Jonny Hannah's wonderful 'Greetings from Darktown - An Illustrator's Miscellany', the first book devoted to the work of this popular illustrator, printmaker and painter.
Born and bred in Scotland, Jonny Hannah now lives by the sea in Southampton, but he also resides in Darktown – a mysterious coastal town, not found on any map, peopled by pin-up girls, jazz artists and tattooed sailors. Darktown is home to the Unquiet Grave junk emporium; the Mermaid Café, where folk legend Woody Guthrie still plays each week; McVouty’s vintage clothes shop; and a pier with a condemned helter skelter. Joining Hannah on his trip to downtown Darktown are the writers Philip Hoare and Peter Chrisp, who explore the eclectic influences on Hannah’s work, and Sheena Calvert, who introduces a special typographic catalogue of hand-drawn lettering. As he tours Darktown, Hannah presents his prints and paintings in thematic chapters reflecting his passions, and bids farewell to his alter ego, Rocket Man, who inhabits the darkest corners of pop culture.
In April 2015 we'll be hosting an exhibition of Jonny's work in Edinburgh which will incorporate prints, paintings, music and spoken word. Sign up for our gallery newsletter for details.
And later in 2014 we'll be launching Jonny's first wallpaper for St Jude's, the follow up to his fabric The Captain's Pattern.
Posted by Simon Lewin on October 4th, 2014
We had worked with the photographer Cristian Barnett before and he offered he making of a short film in return for a donation to the Movember fundraising programme (supporting the work of this global men’s health charity).
Posted by Simon Lewin on September 3rd, 2014
From 4th-14th July 2014 Ed Kluz is exhibiting a series of new works with our friends at Pentreath & Hall, shown alongside a selection of original works and prints by Eric Ravilious and Edward Bawden.
Ed is fascinated by the objects of our cultural heritage. He seeks out the eccentric, the lost and the overlooked. Follies, curiosities, vanished buildings and folklore inspire artworks which explore themes of renewal and reinvention.
Amongst the new works being exhibited are (from top to bottom below) The Rushton Triangular Lodge (scraperboard - £975), Blickling Hall (linocut - unframed £225 - edition of 18), King Henry's Hunting Lodge, Dogmersfield Park, Hampshire (scraperboard - £875), Kew Palace (scraperboard - £745).
From 4th to 14th July at Pentreath & Hall, 17 Rugby Street, Bloomsbury, London WC1N 3QT. Telephone 020 7430 2526. Open 11am–6pm Mon–Sat.
Posted by Simon Lewin on July 3rd, 2014
Our friends Jennings Fine Art are hosting an exhibition of British Art produced between 1914 and 1939 at The Art Workers Guild in Bloomsbury from Monday 16th until Saturday 21st June 2014.
The exhibition features work by a number of artists including Eric Ravilious, A S Hartrick, Paul Nash and William Larkins.
The exhibition also features a newly editioned linocut print by Marthe Armitage, commissioned for the exhibition. 'Tiger Moth' was originally cut as a wallpaper repeat but is available from the exhibition in an edition of 25 copies.
Aftermath - British Art 1914-1939 runs from Monday 16th June to Saturday 21st June 2014 at The Art Workers Guild, 6 Queen Square, London WC1N 3AT. Open 10am until 4pm.
Further details are available from firstname.lastname@example.org
William Larkins - Work or Roadmen - etching, 1925
Paul Nash - The Sluice - lithograph, 1920
A.S. Hartrick - On Munitions: Dangerous Work (Packing TNT) - lithograph, 1917
Marthe Armitage - Tiger Moth - linocut, 2014
Posted by Simon Lewin on June 15th, 2014
Yesterday we visited the Open Eye Gallery in Edinburgh to see Paul Furneaux's exhibition Inside:Out.
The show illustrates Furneaux’s developments from 2D print works to 3D wall mounted sculptural objects incorporating print. He uses traditional Japanese woodcut techniques to explore landscape and interior space using a simplified language of abstraction, distillation and contemplation.
Furneaux received a Masters in Japanese woodblock printing and was recently invited to the Mokuhanga Innovative Laboratory at the foot of Mount Fuji with five International artists to deepen his knowledge of this medium. He also explores combining the mokuhanga technique with etching.
In addition to creating and exhibiting his work, Paul also runs occasional courses in the Japanese water-based woodblock printing technique at Edinburgh Printmakers.
Inside:Out runs at Open Eye Gallery until 2nd April 2014. Find out more
Posted by Simon Lewin on March 16th, 2014
Here's some news from our friends at Caught By The River about their forthcoming book by Neil Sentance, illustrated by printmaker Jonathan Gibbs...
"We’re pretty bloody delighted to be able to announce that we’re publishing Neil Sentance’s Water and Sky: Voices from the Riverside, our first original title in May. After a couple of fantastic compendiums (Words on Water and On Nature), this book is an original by a longtime Caught by the River contributor; and that’s being published in association with the ever-brilliant Little Toller. Lauded by Robert Macfarlane as ‘a marvellous and haunting sequence’, the book revisits Neil’s native Lincolnshire riverlands and fields, farms and market towns, to explore the history of his family and the landscape which shaped them. It’s not a lament for a lost world. It’s a story peopled by characters forgotten by history, celebrating the countryside with a rare combination of lyricism and muddy realism."
You can see Jonathan Gibbs' wood engravings over at our online gallery. And here's his screen printed fabric for St Jude's, Herring Moon.
Posted by Simon Lewin on March 3rd, 2014
December 10th 2013 sees the opening of Clare Leighton: Working Life at The Pallant House Gallery, Chichester.
The artist Clare Leighton (1898-1989) was best known for her wood-engravings illustrating rural life in England, Europe and the USA. She illustrated over 65 books, as well as writing and illustrating her own books such as ‘The Farmer’s Year: A Calendar of English Husbandry’ (1933) and ‘Four Hedges: A Gardener’s Chronicle' (1935).
In 1952 Leighton was commissioned by Wedgwood to create a series of 12 wood engravings to be transfer-printed onto dinner plates. These were on the theme of traditional industries in New England.
Several of the original wood blocks and plates will form part of the exhibition.
View more images of these plates over at Flotsam & Jetsam, a blog by Simon Martin, artistic director of the Pallant House Gallery.
Clare Leighton: Working Life is in the De’Longhi Print Room at Pallant House Gallery in Chichester UK from 10th December 2013 - 24th February 2014 Find out more
Posted by Angie Lewin on December 2nd, 2013