Took a trip to Seacliff, just along from North Berwick, for the first time today.
Posted by Simon Lewin on March 30th, 2014
Many thanks to everyone who came along to the recent opening event for my Yorkshire Sculpture Park exhibition, A Natural Line.
And special thanks to Simon Martin, Artistic Director at Pallant House Gallery, Chichester for his opening speech.
The exhibition runs until 23rd February 2014 at Yorkshire Sculpture Park near Wakefield. For opening times and directions, visit the Yorkshire Sculpture Park website.
Posted by Angie Lewin on November 27th, 2013
Available for pre-order and shipping from early December is this beautiful audio/print package from Water Of Life, limited to 300 copies.
Tommy Perman - artist and musician (formerly of FOUND) and Rob St. John - environmental writer and musician - began the Water of Life project in June 2013, aiming to use water as a divining rod for exploring ideas of 'naturalness' in Edinburgh’s urban environment. Water of Life is an alternative travelogue, where water is a conduit for exploring new geographies: field notes from a liquid city.
Recordings made with hydrophone, ambient and contact microphone recordings of rivers, spring houses, manhole covers, pub barrel rooms, pipelines and taps are mixed with the peals and drones of 1960s transistor organs, harmoniums, Swedish micro-synths, drum machines and iPads: a blend of the natural and unnatural; modern and antiquated; hi-fi and lo-fi. Drum beats were sampled from underwater recordings, and reverbs created using the convolution reverb technique to recreate the sonic space of different bodies of water.
The package comprises: a letterpressed folder on recycled card, a 7" record pressed on recycled vinyl and a set of essays by Rob and prints by Tommy exploring the themes of the project, riso printed using soy inks on recycled paper.
Pre-order one of the 300 limited edition packages online and find out more about the Water Of Life project.
Posted by Simon Lewin on November 11th, 2013
This weekend sees the opening on an exhibition of recent box constructions by Shetland born Alex Malcolmson, made mainly from wood; carved and painted, sometimes using found materials.
The ‘boxworks’ of Joseph Cornell are an inspiration to Malcolmson, in addition to the works created by Picasso when he used collected items from his studio environment. Malcolmson is an experienced sailor and has voyaged aboard the Bessie Ellen, a traditional West Country wooden sailing ketch built in 1904, to Denmark and Sweden, sketching and absorbing the details of the ship. Other strands of interest for Malcolmson lie in architecture, charts, ship dioramas, lighthouses, and marine folk art.
The slatted birds started with the idea of an upturned boat; a motif he has used in other ways, drawing on the tradition of decoy making. Folk, naïve and primitive art; the kind of objects made for use and ornament, often by unnamed makers, is the main source of ideas for the work featured in this exhibition Seamarks.
The exhibition opens on Monday 11th November and runs until 25th November 2013. There is an opening event on Saturday 9th November 2013 from 12pm until 2pm.
Open Eye Gallery, 34 Abercromby Place, Edinburgh EH3 6QE. Visit the Open Eye website.
If you're unable to visit Edinburgh, Alex Malcolmson will be exhibiting alongside Angie Lewin at our next St. Jude's In The City exhibition in London in May 2014. Sign up to our newsletter for details nearer the time.
Posted by Simon Lewin on November 5th, 2013
Rob and Tommy will play music from their upcoming 7″, essay and print release, using recordings made with hydrophone, ambient and contact microphone recordings of rivers, spring houses, manhole covers, pub barrel rooms, pipelines and taps, mixed with the peals and drones of a 1960s transistor organ, harmonium, Swedish micro-synth, drum machine and iPad: a blend of the natural and unnatural; modern and antiquated; hi-fi and lo-fi. Drum beats have been sampled from underwater recordings, and reverbs created using the convolution reverb technique to recreate the sonic space of different bodies of water.
The performances will accompany screenings of the 1964 film ‘Rain on the Roof’, an Edinburgh Water Corporation production featuring a forward-looking blend of pastoral, mechanical and futurist visions for the city’s aquatic landscapes. The film has been specially digitised by the Scottish Screen Archive for this rare screening.
Full details of Rob and Tommy's performance in Edinburgh can be found on the Summerhall website.
Posted by Simon Lewin on November 3rd, 2013
Currently showing at the Open Eye Gallery in Edinburgh is Shelter, an exhibition of recent lithographs and screenprints by Edinburgh based printmaker Gill Tyson depicting buildings or forms of ‘shelter’ in the remote and rural landscapes where she encountered them. A castle, a farmstead, a telephone box or tower can be glimpsed in the distance or through trees, inviting the viewer to venture in.
Gill Tyson was born in Heysham, Lancashire and studied at Edinburgh College of Art and Edinburgh University, receiving an MA (Hons) in Fine Art in 1979. She is a former Chairman of Edinburgh Printmakers and has served on the City of Edinburgh Visual Arts Awards Panel.
She recently completed printmaking residencies in Ireland and Wales and received awards from the Hope Scott Trust, The City of Edinburgh and Scottish Arts Council. She has work in many public collections including Aberdeen Art Gallery, Smithsonian Collection and the Parliamentary Art Collection-House of Lords. Tyson has exhibited in the UK, Europe, the USA and Canada and in 2012 she was one of the artists representing Britain at the 6th International Kyoto Hanga, International Printmaking Exhibition in Japan.
Posted by Simon Lewin on October 4th, 2013
Spent some time today looking at, listening to and playing Sarah Kenchington's Wind Pipes for Edinburgh installation which was commissioned for the 2013 Edinburgh Art Festival.
This elaborate work is created from over 100 decommissioned organ pipes, assembled from salvage yards and eBay, powered by six large bellows.
The installation can be found in Trinity Apse, just off the High Street. This originally formed part of Trinity College Kirk which was demolished in 1848 to make room for Waverley Station. It was intended that the entire kirk would be rebuilt from carefully numbered pieces of masonry, but ultimately just one transept and the choir were rebuilt on the current site, renamed Trinity Apse.
Posted by Simon Lewin on August 28th, 2013
Rebel Landscapes is a journey into Scottish folklore, tradition and landscape, explored through a programme of carefully curated, archival 16mm film and specially commissioned live soundtracks played by four artists loosely working within the folk music idiom.
The original Rebel Landscapes event premiered in Edinburgh in 2011 to a sell-out audience, and spurred on by this positive response, Screen Bandita decided to undertake the touring of the programme to the geographical areas central to these archival films. In essence taking these historical documents back to the communities and settings that originated them.
The short film selection is drawn from the Scottish Screen Archive's extensive 16mm print collection and explores themes relating specifically to folklore: local traditions and customs, dances, crafts, fishing, crofting all feature, as does the landscape.
The live musical scores have been created specifically in response to the moving image by contemporary folk musicians Wounded Knee, Hanna Tuulikki and Rob St John with Tom Western, who will be performing thoughtful and engaging pieces to films Eriskay: A Poem of Remote Lives, 1934, The Crofters of Wester Ross, 1939, and Isles of the West , 1939.
Find out more from the Screen Bandita website.
Posted by Simon Lewin on August 23rd, 2013
We're looking forward to visiting this installation/event at this year's Edinburgh Art Festival.
Sarah Kenchington builds her mechanical instruments from discarded materials. Bicycle spokes, typewriters, the inner tubes of tractor tyres are combined to create unique musical machines which emit a discordant array of moans, squeaks and chimes. Kenchington’s work offers a contemporary manifestation of a long history of the artist giving birth to machines (from Leonardo da Vinci, through to Heath Robinson, Tinguely and Michael Landy), yet Kenchington’s machines are anything but automata, remaining fundamentally dependent on an interaction with the human to come to life.
Wind Pipes for Edinburgh is her most ambitious construction to date, created from over 100 decommissioned organ pipes, assembled from salvage yards and eBay. Kenchington’s instruments depend for their creation and playing on significant physical labour, and Wind Pipes is no exception, requiring at least 6 willing bodies to man the bellows.
The event runs until 1st September 2013 - visit the Edinburgh Art Festival website for more details.
Posted by Simon Lewin on August 19th, 2013
I'll be heading over to the Kingdom of Fife soon to visit Jonny Hannah's contribution to this year's Pittenweem Arts Festival where Jonny is an invited artist.
He'll be exhibiting at Lesser Church Hall, James Street, Pittenweem from 3rd to 11th August 2013, 10am until 5pm. Find out more.
On Tuesday 6th August, at 5.30pm, Jonny will launch a new box set of prints, 'Might Just Get By', inspired by the songs of Fife's own King Creosote who will perform a few songs at 6.00pm.
Posted by Simon Lewin on August 1st, 2013