This book is embellished with fine tipped-in samples illustrating the range of Baddeley Brothers’ print techniques, an anatomy of envelope design, a glossary of printing terminology, typographic designs by David Pearson, drawings by Lucinda Rogers and a fold-out map by Adam Dant.
Find our more about purchasing a copy of this wonderful publication.
Posted by Simon Lewin on October 28th, 2015
I'm pleased to share details of my latest limited edition print, 'Saltmarsh, Morston'.
This screen print is based on sketches made on the North Norfolk coastline on a sunny, breezy day, sitting on the saltmarsh amongst the sea campion and thrift, looking through the grass and flower stems. Across The Pit, a narrow stretch of water, I can see Blakeney Point. Strong yellow discs of cat’s ear flowers (also known as flatweed) stand out against the pale chalky colours of the other vegetation and the bright blue early summer sky.
Posted by Angie Lewin
Posted by Angie Lewin on September 30th, 2015
We've had the pleasure of exhibiting Alex Malcolmson's work at our former Norfolk gallery and at our 2014 St Jude's In The City exhibition in Spitalfields.
From 5th September until 31st October 2015 Alex will be exhibiting a series of new birds and box works at The Yew Tree Gallery in Cornwall.
Born in Shetland in 1955, Alex studied drawing, painting and printmaking at Edinburgh College of Art. He worked in the Northern Isles for several years teaching, painting and exhibiting and then moved back to Edinburgh to work as curator of the Scottish Crafts Collection, now part of the collection of The National Museum of Scotland.
Having run Harrogate's Godrey & Watt gallery for twenty five years, Alex now exhibits his work at galleries across the UK.
Landfall - mixed media box construction
West Coast - mixed media box construction
Pole Star - mixed media box construction
Zephyr - mixed media box construction
Hanging Diver - carved, constructed and painted wood
Navigator - mixed media box construction
Posted by Simon Lewin on August 30th, 2015
Visitors to the newly reopened York Art Gallery will be able to pick up one of these souvenir broadsheets, created by the artist Mark Hearld as part of his curated exhibition The Lumber Room: Unimagined Treasures.
The Upper North Gallery has been transformed to reflect one artist’s vision of a Lumber Room – a room of miscellaneous stored objects and artefacts.
For the past two years, York-based artist Mark Hearld has been visiting the stores of the Yorkshire Museum and York Castle Museum as well as York Art Gallery researching the objects and artworks to include in the exhibition.
His choices include textiles, costume, oil paintings, works on paper, furniture, and taxidermy, many items of which have not been on public display before.
Alongside these are new works that Mark has created especially for the show which are inspired by the collections. The exhibition is influenced by a short story called The Lumber Room, by Saki, which was read to him in an English class when he was 15.
“Since I heard Saki’s story I have always been intrigued by the idea of a locked room that contained treasures so wonderful they are beyond what your mind can imagine. In this exhibition I wanted to create the sense of excitement and wonder that you get when you discover the key to the room and see the “forbidden” objects for the first time.”
Visit the exhibition at York Art Gallery, Exhibition Square, York YO1 7EW. Find out more from the York Art Gallery website.
You might also like to view Mark's range of artist design fabrics and wallpapers for St Jude's.
Posted by Simon Lewin on August 7th, 2015
In early July 2015, Random Spectacular No. 2 contributors Ultramarine played live on Northey Island, a National Trust property in the Blackwater estuary, off Maldon, Essex.
Although the island is generally leased to private tenants, once a year the Trust takes back the island for Castaway, a wild camping experience.
Music has always been an important aspect of the Castway weekends and this year Ultramarine (Ian Cooper and Paul Hammond) performed a live set (accompanied by saxophonist Greg Heath) which included Decoy Point, a track from their 2013 album This Time Last Year, which was inspired by the Blackwater landscape.
You can listen to three of the tracks performed live below.
Thanks to Ultramarine's Ian Cooper and LTM's James Nice for the photographs included here.
Posted by Simon Lewin on August 2nd, 2015
Opening on 2nd July 2015, 'Tonight Rain, Tomorrow Mud' is the second solo exhibition of David Cass' work at The Scottish Gallery in Edinburgh.
Cass’ 2013 solo show ‘Years of Dust and Dry’ was a great success where he transformed the gallery by installing some 200 found object based paintings which spoke of loss, decay and time.
As well as artworks that describe his travels over the last two years, Cass' newest work is inspired by the devastating floods which swept Florence in 1966 and Paris in 1910. He uses these historical events as point of focus to tackle the extremes of drought and inundation.
“I began creating these artworks late in 2013: 47 years after the flood which claimed at least thirty lives in Florence itself. I first visited Florence in late 2010, on a Royal Scottish Academy scholarship. I’ve returned several times since 2010, and my artistic response to the city has gradually developed. Inspired by artist James Hogg’s set of letters written from Florence during November 1966 (published in Dear Eddie & Popp by S.A.C.I.) this series of studies are as much an attempt to introduce a new element into my practice as they are explorative responses to the history of this catastrophe.”
Created with semi-hardened vintage paints, on antique papers and framed (in most cases) in antique frames ‘Tonight Rain, Tomorrow Mud’ features paper-based artworks, created in Almería, Florence, Lucca and Paris.
Posted by Simon Lewin on July 2nd, 2015
Earlier in the year we were visited by our friends from Country Living, along with our photographer and friend Cristian Barnett.
Some of Cristian's photographs appeared in the April issue of Country Living but several more are published in Country Living Modern Rustic which is available from magazine stands now.
Posted by Angie Lewin on June 16th, 2015
I was lucky enough to attend the opening of the major show of work by Eric Ravilious at Dulwich Picture Gallery, curated by James Russell, but the show deserved a second visit at a slightly quieter time.
I’ve always found Ravilious' work totally absorbing, whether his watercolours (which are the focus of this exhibition), his lithographs and wood engravings or his designs created for ceramics, glass and other commissioned work.
On my recent second visit to the exhibition it became so much clearer to me that these watercolours were made by a printmaker and designer. There's a sharpness and a clarity to the objects in his compositions and the palette is perhaps purposely restricted. Closer inspection reveals Ravilious is creating textures and patterns in the same way that he might when creating a lithograph.
It's hard to single out one single painting but a firm favourite would be 'Ship's Screw on a Railway Truck' (1940). Not a promising subject perhaps. The sculptural propellor gleams out from the blue and grey landscape. The top left had corner is a beautifully composed scene of ship moored by a curved harbour and tree which in itself would make a perfect engraving or motif on a Wedgwood plate. In the foreground there's a playful pattern of footprints in the snow and in the grey sky above, soft white snow flakes and diagonal marks depict this bleak winter scene in the same way that Ravilious might have drawn on a lithographic stone.
James Russell has brought together watercolours of landscapes, interiors, still lifes and Ravilious' work as a war artist too. There’s much to see that I think a third visit is definitely on the cards.
'Ravilious' is at Dulwich Picture Gallery until 31st August 2015. Visit their website for full details.
And find out more via curator James Russell's website.
Posted by Angie Lewin on June 1st, 2015
Those visiting Mark Hearld and Emily Sutton’s recent Open Studio event in York will have had a sneak preview of the new hand painted ceramic slip cast horses that Mark will be creating for his exhibition at York Art Gallery when it re-opens on the 1st of August 2015.
Mark will be curating and creating The Lumber Room: Unimagined Treasures which will feature objects from across York Museums Trust’s collections, including oil paintings, works on paper, taxidermy and social history.
Mark will also create new work in response to the objects including individually decorated ceramic slip cast horses made in response to the Leeds Horses in the collection.
We’ll be posting further details about the horses and Mark’s exhibition closer to the opening - do sign up for our e-mail newsletter if you’d like to find out more.
In the meantime, you might like to take a look at Mark's fabric and wallpaper designs for St Jude's.
Posted by Simon Lewin on April 27th, 2015
We're just about to head off to Bergen for a few days for the opening of a new exhibition of work from long time St Jude's collaborator Alex Malcolmson.
In Møte over Nordsjøen (Meeting over the North Sea) Alex will be exhibiting a new series of box works and birds alongside the work of Shetland based painter Ruth Brownlee and Bergen based sculptor John Audun Hauge.
The exhibition runs from 18th April until 10th May 2015 at Galleri Allmenningen, Bergen, Norway.
Compass Rose Alex Malcolmson
Vega Alex Malcolmson
Ship Spirit Alex Malcolmson
Hail Showers approaching Spiggie Ruth Brownlee
Grey Sky Clearing, West Yell Ruth Brownlee
Posted by Simon Lewin on April 16th, 2015