We went along to the opening of Jonathan Gibbs' latest exhibition in Edinburgh earlier today.
Fish Bone features a number of new wood engravings, paintings and drawings.
Jonathan has lived and worked in Scotland for many years but acknowledges the importance of the “churches, fields, shorelines and elements of landscape from East Norfolk, where my family comes from”.
Having trained at Central School of Art and Design and the Slade School of Fine Art, in addition to the creation of new work for regular exhibitions Jonathan is a Head of Illustration at the Edinburgh College of Art.
Writing about Jonathan’s 2006 ‘Flint & Straw’ exhibition at the Open Eye Gallery, Alan Powers suggests that “at first sight, his paintings and engravings evoke a mid-twentieth-century mood, suggestive of territory between Ben Nicholson and Eric Ravilious – fastidious, linear and deeply sensitive to place”.
The exhibition runs until 25th September 2013 at Open Eye Gallery, 34 Abercromby Place, Edinburgh EH3 6QE.
We're also very pleased to feature Jonathan's limited edition wood engravings at our online gallery specialising in British printmaking.
I popped into The Scottish Gallery earlier this week to see Stephen Bird's My Dad was Born on the Moon exhibition of ceramics and paintings.
Stephen Bird was born in Stoke-on-Trent in 1964 and studied fine art at Duncan of Jordanstone College of Art in Dundee. He has made paintings, ceramics and sculptures since the early 1990s and his work is exhibited internationally. He is now based in Sydney, Australia and lectures at the National Art School in Sydney.
The exhibition runs until 4th September 2013 at The Scottish Gallery, 16 Dundas Street, Edinburgh EH3 6HZ. Visit The Scottish Gallery website for further details.
Spent some time today looking at, listening to and playing Sarah Kenchington's Wind Pipes for Edinburgh installation which was commissioned for the 2013 Edinburgh Art Festival.
This elaborate work is created from over 100 decommissioned organ pipes, assembled from salvage yards and eBay, powered by six large bellows.
The installation can be found in Trinity Apse, just off the High Street. This originally formed part of Trinity College Kirk which was demolished in 1848 to make room for Waverley Station. It was intended that the entire kirk would be rebuilt from carefully numbered pieces of masonry, but ultimately just one transept and the choir were rebuilt on the current site, renamed Trinity Apse.
Rebel Landscapes is a journey into Scottish folklore, tradition and landscape, explored through a programme of carefully curated, archival 16mm film and specially commissioned live soundtracks played by four artists loosely working within the folk music idiom.
The original Rebel Landscapes event premiered in Edinburgh in 2011 to a sell-out audience, and spurred on by this positive response, Screen Bandita decided to undertake the touring of the programme to the geographical areas central to these archival films. In essence taking these historical documents back to the communities and settings that originated them.
The short film selection is drawn from the Scottish Screen Archive's extensive 16mm print collection and explores themes relating specifically to folklore: local traditions and customs, dances, crafts, fishing, crofting all feature, as does the landscape.
The live musical scores have been created specifically in response to the moving image by contemporary folk musicians Wounded Knee, Hanna Tuulikki and Rob St John with Tom Western, who will be performing thoughtful and engaging pieces to films Eriskay: A Poem of Remote Lives, 1934, The Crofters of Wester Ross, 1939, and Isles of the West , 1939.
Find out more from the Screen Bandita website.
We're looking forward to visiting this installation/event at this year's Edinburgh Art Festival.
Sarah Kenchington builds her mechanical instruments from discarded materials. Bicycle spokes, typewriters, the inner tubes of tractor tyres are combined to create unique musical machines which emit a discordant array of moans, squeaks and chimes. Kenchington’s work offers a contemporary manifestation of a long history of the artist giving birth to machines (from Leonardo da Vinci, through to Heath Robinson, Tinguely and Michael Landy), yet Kenchington’s machines are anything but automata, remaining fundamentally dependent on an interaction with the human to come to life.
Wind Pipes for Edinburgh is her most ambitious construction to date, created from over 100 decommissioned organ pipes, assembled from salvage yards and eBay. Kenchington’s instruments depend for their creation and playing on significant physical labour, and Wind Pipes is no exception, requiring at least 6 willing bodies to man the bellows.
The event runs until 1st September 2013 - visit the Edinburgh Art Festival website for more details.
If you're visiting the Edinburgh Book Festival this year, illustrator and printmaker Jon McNaught will be holding a creating graphic novels workshop (on Saturday 24th August) and talking with fellow artist Glyn Dillon about the graphic novel (on Monday 26th August).
Jon McNaught's latest book, Dockwood, weaves together the everyday lives of three locals against an evocative backdrop of autumnal transitions. Bittersweet and contemplative, Dockwood is for anyone who believes the stories that take place within life’s small moments can often be the most meaningful of all.
I'll be heading over to the Kingdom of Fife soon to visit Jonny Hannah's contribution to this year's Pittenweem Arts Festival where Jonny is an invited artist.
He'll be exhibiting at Lesser Church Hall, James Street, Pittenweem from 3rd to 11th August 2013, 10am until 5pm. Find out more.
On Tuesday 6th August, at 5.30pm, Jonny will launch a new box set of prints, 'Might Just Get By', inspired by the songs of Fife's own King Creosote who will perform a few songs at 6.00pm.
We're hoping to get down to Chichester for a visit to the Pallant House Gallery for their latest exhibition, Eduardo Paolozzi - Collaging Culture.
Our friend Simon Martin has curated this major retrospective of the works of Eduardo Paolozzi, one of the most prolific and inventive British artists. The exhibition features around 150 works in a variety of media.
Simon explains "Paolozzi is widely celebrated as one of the leading sculptors of the post-war age, but with this exhibition we aim to present the extraordinary versatility of his approach to making art by also including textiles, printmaking, film, and ceramics. Paolozzi memorably said that ‘all human experience is one big collage'. For him collage was not just a technique, but an approach to the wider culture that surrounded him: consumerism, the space race, fashion, the machine and man's place in a changing world."
The exhibition runs until 13th October 2013 at Pallant House Gallery, 9 North Pallant, Chichester, West Sussex PO19 1TJ. Visit the Gallery's website.
Several years ago, a chance meeting at our former Norfolk gallery with Paul Hammond of Ultramarine - a band I'd followed since their first album Folk - led to discoveries of shared interests/inspirations.
Now writing and recording again, 2013 will see the release of the band's 6th album This Time Last Year.
We're delighted that Ultramarine will feature in the second issue of our journal Random Spectacular - with an interview by James Nice of LTM Recordings, illustrated by Heretic. A specially written audio piece will accompany.
Ultramarine's This Time Last Year will be released 30th September 2013 on Real Soon.
We spend a fair amount of time up in North East Scotland and I've noticed that Ben Rinnes is creeping into a number of my prints and watercolours, such as Ben Rinnes Jug with Feathers (below). Probably not surprising considering the fact it's one of the views from my studio.
At 2733 feet it's Morayshire's highest freestanding mountain but not quite tall enough to be classed as a Munro - that said, from its summit you can see eight counties - Aberdeenshire, Banffshire, Moray, Nairnshire, Inverness-shire, Ross and Cromarty, Sutherland and Caithness.
In Ben Rinnes Jug with Feathers, the mountain forms the backdrop to a still life featuring a cherished Mocha ware jug with feathers, teasels and a few beachcombed objects.
Here are a few images of the painting and Ben Rinnes through the year (the sunrise image hasn't been edited!).