The Fair runs until 6pm on Sunday 14th March 2010. For full details visit the Affordable Art Fair website.

If you're in London, you can visit the exhibition until 13th March 2010 at The Coningsby Gallery, 30 Tottenham Street, London W1T 4RJ. Visit their website to view further images.

The thirty images were painted on the spot in the Indian states of Uttar Pradesh, Rajasthan and Gujaret.

Toby Morison studied at the Royal College of Art. He was a founder member of the influential Big Orange studio and has worked internationally as an illustrator for the past twenty years. He is the author of Little Louis Takes Off (Simon and Schuster 2006).

Toby has always travelled widely - often with a sketchbook as companion. He has an abiding fascination and love for India. These images were painted on streets and from rooftops and balconies - often with a small audience in attendance. From a teeming Delhi through the holy town of Pushkar, to the blue washed city of Jodhpur and the boat building port of Mandvi on the shores of the Arabian Ocean these images reflect the vibrancy, ingenuity, colour and humour of India.

The exhibition runs from 8th March 2010 until 13th March 2010 at The Coningsby Gallery, 30 Tottenham Street, London W1T 4RJ. Website

A selection of Chris' limited prints are available from our online print store.

And we'll shortly announce details of a range of ceramic mugs.

We'll post details here with links to online stockists for both - but if you have a favourite store that might like to stock our homewares, do ask them to get in touch via our website.

Work commences on site in early March and we'll keep you up to date with progress here.

But a short piece of film from 1979 has been discovered which gives an insight into the condition of the Mill when Hugh Jones and friends took over the running from Duncan Stewart.

Here are a few words about the clip from Hugh Jones...

"In the summer of 1979 the mill featured in a TV documentary. We had recently got the carding and spinning running again for the first time since we took over in 1976 and were busy spinning natural yarn for a large order for Japan - not "hideous tartan"! The star of the show was, inevitably, the late Duncan Stewart who took to the silver screen like an old pro - I remember he had a great time that day. Peter Machell wasn't one of three of us who bought the mill in 1976, he was a talented hand weaver who worked with me for 2 years, trying his hand at machine weaving. To me, the best of this is seeing the spinning workshop running (which it will be again in 3 years time) and, of course, Duncan who got the last laugh!"

Find out more about Knockando Woolmill.

As with much of Eek's work, the log cabin/wood pile is mostly constructed from salvaged material. The steel frame was sourced from a builders yard and the wood facade is simply thin cross sections of tree trunks carefully arranged over the exterior. The structure is also built on wheels which eradicates building regulation issues and also allows the view from the cabin to change.

You can view a selection of images of the finished project on photographer Thomas Mayer's website or find out more about Piet Hein Eek's work.

Nick's a member of The Monroe Transfer, a 7-piece instrumental group making “sad, angry, melancholy, triumphant instrumental music”. I'd recommend their 2008 release "I dreamt I was a hammer & everything was glass".

Although it's not out for a little while, the artwork for their forthcoming album "Trials" has just been been featured as one of the records sleeves of the month over at Creative Review.

I've yet to see a copy but it looks like a lovingly created piece of print, designed, screen and letterpress printed the TMT's Nick Gill and Daley Walton. Read the CR blog in full.

For up to date news re. the album's release and forthcoming gigs, keep an eye on The Monroe Transfer's website.

We'll be back at The Bankside in November 2010 for a second exhibition - bigger and bolder than before! If you'd like to receive an invitation to the opening night, please sign up for our gallery newsletter.

To find out a little bit more about our 2009 exhibition, here's David Nicholl's piece from The Daily Telegraph Read in full

"Slash: Paper Under the Knife takes the pulse of the international art world's renewed interest in paper as a creative medium and source of artistic inspiration, examining the remarkably diverse use of paper in a range of art forms. Slash is the third exhibition in MAD's Materials and Process series, which examines the renaissance of traditional handcraft materials and techniques in contemporary art and design. The exhibition surveys unusual paper treatments, including works that are burned, torn, cut by lasers, and shredded. A section of the exhibition will focus on artists who modify books to transform them into sculpture, while another will highlight the use of cut paper for film and video animations." Further information