Edward Bawden at Christmas

Edward Bawden worked with London luxury provisions store Fortnum & Mason for a number years either side of World War II, designing many catalogues, menu cards, brochures and other ephemera.

Bawden's work for the store was captured in Mainstone Press' wonderful Entertaining À La Carte. Unfortunately this limited edition book sold out some time ago but copies can still be found online from time to time.

Here are a few seasonal images of Bawden's work for Fortnum & Mason.

Edward Bawden for Fortnum and Mason

Edward Bawden for Fortnum and Mason

Edward Bawden for Fortnum and Mason

Edward Bawden for Fortnum and Mason

Edward Bawden for Fortnum and Mason

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Baddeley Brothers

The Gentle Author, creator of the Spitalfields Life journal, has just published a book dedicated to the work of specialist printers, Baddeley Brothers.

This book is embellished with fine tipped-in samples illustrating the range of Baddeley Brothers’ print techniques, an anatomy of envelope design, a glossary of printing terminology, typographic designs by David Pearson, drawings by Lucinda Rogers and a fold-out map by Adam Dant.

Find our more about purchasing a copy of this wonderful publication.










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From The Page to The Wall

Based in Edinburgh, publishers Birlinn work with Scottish writers such as Robin Jenkins, George Mackay Brown and the author of the No.1 Ladies’ Detective Agency series, Alexander McCall Smith and international writers including Jan-Philipp Sendker, Rita Monaldi and Francesco Sorti.

During the Edinburgh Festival, the Doubtfire Gallery are hosting an exhibition of original illustrations and printed work by some of the artists that Birlinn commission for their covers. The featured artists are Tim Archbold, Jill Calder, Bob Dewar, Debi Gliori, James Hutcheson, Owain Kirby and Iain McIntosh.

The exhibition runs until 29th August at the Doubtfire Gallery, 3 South East Circus Place, Edinburgh EH3 6TJ. View the gallery website

Find can out more about Birlinn via their website.

Reekie Jim Hutcheson B

'Reekie' by James Hutcheson


'Bruce and DeBohun' by Jill Calder

THE BRUCE Jill CalderB

'The Bruce' by Jill Calder


'Bertie Plays Blues' by Iain McIntosh

Allotments Bob Dewar B

'Allotments' by Bob Dewar

Great Wood Owain Kirby B

'The Great Wood' by Owain Kirby

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Rena Gardiner

Our friends at Little Toller are soon to publish the first book about the artist and printmaker Rena Gardiner (1929-1999).

"Rena Gardiner dedicated her life to her art, doing so alone in a thatched cottage in the heart of Dorset. Combining the great tradition of British topographic artists with the rich era of autolithography of the 1940s and 1950s, she created her own very personal and individual visual style. An unsung heroine of printmaking, uninterested in publicity or fame, she created an artistic legacy that is instantly recognisable for its exuberant use of colour and texture."

Find out more about Rena Gardiner and the book from the Little Toller website.








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Surface Tension

Writer, artist and musician Rob St. John (who contributed to our Random Spectacular No. 2 journal) has announced details of his latest project, Surface Tension.

In summer 2014, Ben Fenton, project manager of the ‘Fixing Broken Rivers’ campaign run by London freshwater conservation charity Thames 21, got in touch with Rob. Ben had an unusual commission in mind: could Rob design a project drawing from both art and science to creatively explore and document pollution along London’s River Lea?

Almost a year later, and the project – Surface Tension – is finished, resulting in an album of new music and field recordings taken along the Lea; a book of writing and photographs documenting the Lea Valley and the creative processes in Surface Tension; and an exhibition of film photographs from the project at Stour Space, Hackney Wick, London (E3 2PA) throughout April 2015.

In late summer, Rob walked most of the length of the Lea – one of Britain’s most polluted rivers – wearing holes into the soles of his shoes as he made field recordings with binaural microphones (which look like cheap headphones, but capture a 360 degree soundscape around your head), underwater hydrophones and contact mics. At the same time, he took film photographs on both a vintage 120 camera and a 35mm pinhole camera made from a Lesney toy matchbox (the Lesney factory was on the river at Hackney Wick).

Rob’s work has always had a foot in both art and science: working with sound, photography and natural processes in ways that are both experimental and accessible. In 2011 he released a critically acclaimed LP ‘Weald’; in 2013 the Water of Life collaboration with Tommy Perman; in 2014 the Bastard Mountain LP; and in 2015 Surface Tension and a sound installation Concrete Antenna at Edinburgh Sculpture Workshop.

Surface Tension is released in April on limited edition CD, housed in a beautiful book of Rob’s photographs and writing, designed by Tommy Perman.

Find out more about the project and order a copy of the limited edition CD.





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Ashley Script

We're off to North Uist for the first time later this year. Was rummaging in a second hand bookshop and came across this, with a cover featuring designer Ashley Havinden's 'Ashley Script' typeface which is still available digitally.


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Women In Print

We were delighted to receive a set of chapbooks from Desdemona McCannon, produced as part of her 'Women In Print' project.

Each celebrates the work of a woman who has inspired the designer of these risograph printed publications.

The set we have features Enid Mark (by Desdemona McCannon), Sheila Robinson (by Chloe Cheese), Pearl Binder (by Alice Pattullo), Barbara Jones (by Rosemary Shirley), Peggy Angus (Carolyn Trant) and Olive Cook (by Lotte Beatrix).

We asked Desdemona to tell us more about the project...

"Over the last few years I have started a collection of books by 20thc women designers I admire - people like Barbara Jones, Enid Marx, Pearl Binder, Peggy Angus, Lettice Sandford, Dorothy Hartley - who alongside being 'jobbing artists' also wrote (and illustrated) books about folk culture, craft skills and 'popular' art'. Initially I was interested in the ways their research and writing was folded back into their creative practice, but as the collection grew, I became more and more fascinated by the idea of 'print culture'- the ways that publishers and art directors, printers and booksellers as well as authors and artists are entangled in a huge web of connections. I became hooked on the idea that, as Elisabeth Eisenstein says, print itself can be 'an agent of change'.

The main catalyst for setting up Women in Print was seeing a photo in a book, I forget which one, of Tirzah Ravilious on a step ladder with a paintbrush in her hand, in the process of putting paint on a wall, with Eric Ravilious standing by looking down, and the caption underneath saying 'Eric Ravilious painting a mural'. I realised that there was a silence around these women in the way histories were being told, a huge blind spot when it came to celebrating their achievements.


So the point of the Women in Print network is to focus attention on women who deserve to be better known, and their contribution to 'print culture'- as writers, academics, artists, art directors, publishers, journalists, printmakers and illustrators. This happens through an ad hoc series of events, enjoyable study days with speakers and discussions. Alongside this there is a growing set of tribute chapbooks. Anyone can contribute to the series. If they know of a woman they would like to celebrate, I send them the template and they send the (two colour) artwork and text back. I print them up on the risograph machine at Manchester School of Art with the help of students at the college, and we sell them and give them out at the Women in Print events, in the spirit of radical pamphleteers! Lots of really interesting artists, writers and academics have contributed to the series already... Alice Patullo did a beautiful one for Pearl Binder, and Carolyn Trant made one about Peggy Angus who she knew well. Chloe Cheese made one about her mother Sheila Robinson too. I would love for there to be a whole shelf of them one day.

Over the last 18 months there have been three fascinating days of talks about the different ways that women contributed to print culture in the 20thc, the first at Compton Verney in Warwickshire, the second at MMU Special Collections in Manchester, and the third at the Towner Gallery in Eastbourne to accompany the Peggy Angus exhibition there. Speakers have ranged from Professors to recent graduates, researchers into design history and daughters of the designers themselves. The days attract a mixed audience too, which has been wonderful. Artists, academics, people interested in craft, ex librarians, collectors, and the odd husband quietly trying to sleep in the corner. There have been biographical talks about individual women- people like Peggy Angus and Pearl Binder, Susan Clough Ellis and Sheila Robinson, but also fascinating insights into publishing and visual culture of the period, for example Natalie Kay Thatcher recently gave a blinding talk about the Perry Colour Books at the Towner event.

There are more Women in Print days coming up- one in Boscastle next April looking at 'witchcraft in the popular press 1920- 1990' - inspired by a visit to the wonderful library at the museum of witchcraft there. Several people have already offered to give talks about Doreen Valiente, Ruth Manning Sanders, Margaret Murray and Ithell Colqhoun. The call for papers is still open, with further information available online, and so I'm looking forward to seeing what comes in.

It's really heartening that Chloe Cheese has recently written a book about her mother's work, and that Ann Ullman is writing about her mother Tirzah Ravilous too... there are some other projects in a similar vein in the pipeline too. It feels like an exciting time, a chance to have another go at writing the history of the period, and points to the continued potency of print in shaping the cultural landscape. What I find most most enjoyable is the enthusiasm and generosity of all the people involved- that a shared love of print has enabled these connections too."

Desdemona McCannon was born in Liverpool and studied English Literature at Bristol University before going on to train as an illustrator in Liverpool and Brighton. She is interested in investigating popular and vernacular art forms through organising events, curating exhibitions, writing articles, editing the Journal of Illustration and making work. She is currently a senior lecturer at Manchester School of Art. Find out more


















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